There’s no need to be intimidated, though, as both LFOs and envelopes are easy to work with. There are also four envelope generators these are far more advanced than your average ADSRs and feature unusual morphing functions that enable you to create even more sophisticated modulations. In the last of these, complex, Absynth-style LFOs can be created by dragging and dropping envelope sections onto a grid, making up a repeating, rhythmic modulation source – perfect for trippy arpeggiated riffs or evolving ambient textures. Massive’s modulation credentials are further enhanced by the fact that each of the four LFO generators can be put in LFO, Stepper or Performance mode.
Despite this vast potential power, though, Massive is still one of the most tweak-friendly synths we’ve ever got our grubby little hands on. As each knob has at least one modulation slot, there are millions of possible modulation combinations to discover. The slot then becomes a control that enables you to dictate how much the modulation source affects the modulation destination – visual representation of this is given in a ring that surrounds the knob.
baixar cd KLB - Bandas 2007 compare o menor. Each of Massive’s knobs has one or more Modulation Slots located underneath it, and each modulation source – envelopes, LFOs and the eight macro controls with MIDI learn – has a Modulation Handle that can be dragged and dropped into any of these slots. So Mais de 4.000 Cds para Voc Baixar de Graa Downloads de Msicas Grtis. Each oscillator also features an Intensity control – akin to a low-pass filter – and a control for panning the output between Massive’s two filters. You can choose from 82 wavetable oscillator shapes, ranging from simple waves to more sophisticated vocal effects and metallic noises. Gradually rotate the knob to the right, however, and it turns into a sawtooth. The default wavetable oscillator shape is called Square-Saw I, so when the wavetable position knob is turned hard left, the oscillator emits a square wave.
The oscillators are slightly unusual in that you can morph from one waveform to another via a dedicated knob (rather than them being a single, static shape). For the most part, the layout is very straightforward, with the left-hand strip of the GUI being home to the three oscillators and an extra modulation oscillator, as well as the noise and feedback controls. Massive’s main page is reassuringly simple, and most of the commonly used controls are right here ready and waiting for you to start tweaking. In fact, it seems to be an attempt to present the sort of power and flexibility you’ll find in the likes of Absynth and FM7, but with a more accessible interface and an altogether different engine. What’s more, it’s one of the most feature-packed synths we’ve ever encountered. Massive is a hybrid synth that combines ideas and influences from all over the place.
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